Sarah Kember
[Writer and critic, lives in London.]

 Digital images may be regarded as partial rather than universal forms of knowledge, and as image statements rather than truth. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 …the photograph that has become digital [is] liberated at a single stroke from both the negative and the real world. 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 …the questioning of the photograph in its relation to the reality, the interrogation of representation, the famous crisis of representation, really all took place before digital technology. Digital technology, you see, is not the villain here. (1998) 

Errol Morris
[Documentary filmmaker, b. 1948, Hewlett, New York, lives in Cambridge, Massachusetts.]

 People often trust low-res images because they look more real. But of course they are not more real, just easier to fake… You never see a 10-megapixel photograph of Big Foot or the Abominable Snowman or the Loch Ness Monster. 

William J. T. Mitchell
[Writer, theorist, and architect, b. 1944, Melbourne, Australia, lives in Cambridge, Massachusetts.]

 The myth of digital photography has things exactly upside down. Instead of making photography less credible, less legitimate, digitization has produced a general “optimization” of photographic culture, one in which better and better simulations of the best effects of realism and informational richness in traditional photography have become possible. 

Idris Khan
[Artist, b. 1978, Birmingham, England, lives in London.]

 A lot of people in the art world hate to use the word “Photoshop” like it’s cheating or easy or something. I say bollocks to that. For me, it’s my tool, my paintbrush if you like, and lets me create my own visual language. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 When calculation and digital win out over form, when software wins out over the eye, can we still speak of photography? 

Tacita Dean
[Artist, b. 1960, Canterbury, England, lives in Berlin.]

 I don’t know if we will have the same level of longing for a digital iPhone picture as we will for a gelatin-silver print. 
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