Carole Vance
[Anthropologist, lives in New York.]

 Heirs to a Victorian cultural tradition that regarded sexual pleasure with profound suspicion, we greet explicit images of sexuality with anxiety and an undeveloped history of looking. Distinctions that viewers are accustomed to making—between fantasy and behavior, image and reality—become curiously evanescent when it comes to sex. Our unease increases if the sexual acts are unfamiliar or unconventional... 

Inez Van Lamsweerde
[Photographer, b. 1963, Amsterdam, Netherlands, lives in Amsterdam.]

 My works have nothing to do with reality. I am not interested in a version of daily reality. The works show a new mental world. 

Roman Vishniac
[Photographer, b. 1897, Pavlovsk, Russia, d. 1990, New York.]

 I was living in Germany in the thirties, and I knew that Hitler had made it his mission to exterminate all Jews, especially the children and the women who could bear children in the future. I was unable to save my people, only their memory. 

Vincent Van Gogh
[Artist, b. 1853, Zundert, Netherlands, d. 1890, Auvers-sur-Oise, France.]

 I always think photographs abominable, and I don’t like to have them around, particularly not those of persons I know and love... photographic portraits wither much sooner than we ourselves do, whereas the painted portrait is a thing which is felt, done with love or respect for the human being that is portrayed. 

Ellen von Unwerth
[Photographer, b. 1954, Frankfurt, Germany, lives in New York.]

 I don’t stand behind the camera drooling. Knowing that, the models are more likely to open up and relax. 

Dziga Vertov
[Artist and filmmaker, b. 1896, Bialystok, d. 1954, Moscow.]

 I’m an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility... My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you. (1923) 

James Van Der Zee
[Photographer, b. 1886, Lenox, Massachusetts, d. 1983, Washington, D.C.]

 Being an artist, I had an artist’s instinct. Why, you have an advantage over the average photographer. You can see the picture before its taken; then it’s up to you to get the camera to see it. 

Bill Viola
[Artist, b. 1951, New York City, lives in Los Angeles.]

 The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.