James Van Der Zee
[Photographer, b. 1886, Lenox, Massachusetts, d. 1983, Washington, D.C.]

 Being an artist, I had an artist’s instinct. Why, you have an advantage over the average photographer. You can see the picture before its taken; then it’s up to you to get the camera to see it. 

Édouard Vuillard
[Painter, b. 1868, Cuiseaux, Saône-et-Loire, France, d. 1940, La Baule, Loire-Atlantique, France.]

 It is clear that the “Good” and the “Beautiful” have passed out of fashion—as the “True,” photography has shown us its nature and limitations: registering phenomena as a pure effect of their existence, requiring as little man as possible. (1896) 

Paul Virilio
[Writer and theorist, b. 1932, Paris, lives in La Rochelle, France.]

 Images contaminate us like viruses. 

Ellen von Unwerth
[Photographer, b. 1954, Frankfurt, Germany, lives in New York.]

 I don’t stand behind the camera drooling. Knowing that, the models are more likely to open up and relax. 

Diana Vreeland
[Fashion editor, b. 1903, Paris, d. 1989, New York.]

 Photographers aren’t artists, for goodness sake. 

Carole Vance
[Anthropologist, lives in New York.]

 Heirs to a Victorian cultural tradition that regarded sexual pleasure with profound suspicion, we greet explicit images of sexuality with anxiety and an undeveloped history of looking. Distinctions that viewers are accustomed to making—between fantasy and behavior, image and reality—become curiously evanescent when it comes to sex. Our unease increases if the sexual acts are unfamiliar or unconventional... 

Bill Viola
[Artist, b. 1951, New York City, lives in Los Angeles.]

 The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light. 

Massimo Vitali
[Photographer, b. 1944, Como, Italy, lives in Lucca, Italy.]

 As a photographer you have to do things you don’t want to.