Lee Miller
[Photographer and model, b. 1907, Poughkeepsie, New York, d. 1976, Sussex, England.]

 [Being a great photojournalist is] a matter of getting out on a damn limb and sawing it off behind you. 

Bert Stern
[Photographer, b. 1929, Brooklyn, New York, d. 2013, New York.]

 She was so beautiful at that time. I didn’t say, “Pose nude.” It was more one thing leading to another: You take clothes off and off and off and off and off. (On his June 1962 photo shoot with Marilyn Monroe.) 

Errol Morris
[Documentary filmmaker, b. 1948, Hewlett, New York, lives in Cambridge, Massachusetts.]

 If you want to trick someone with a photograph, there are lots of easy ways to do it. You don’t need Photoshop. You don’t need sophisticated digital photo-manipulation. You don’t need a computer. All you need to do is change the caption. 

Richard Avedon
[Photographer, b. 1923, New York, d. 2004, San Antonio, Texas.]

 Sometimes I think all my pictures are just pictures of me. My concern is, how would you say, well, the human predicament; only what I consider the human predicament may simply be my own. 

Brett Weston
[Photographer, b. 1911, Los Angeles, d. 1993, Kona, Hawaii.]

 I use various types of cameras and photograph anything, anytime. It could be something modern or an ancient rock, it doesn’t matter. But, unless a landscape is invested with a sense of mystery, it is no better than a postcard. 

Annette Messager
[Artist, b. 1943, Berck-sur-Mer, France, lives in Paris.]

 I can see today that the same sort of issues lie behind taxidermy and photography. Taxidermy consists in preserving a bird in full flight... In the same way, photography halts and freezes motion and life. 

Bertolt Brecht
[Dramatist, director and poet, b. 1898, Augsburg, Germany, d. 1956, East Berlin.]

 The tremendous development of photojournalism has contributed practically nothing to the revelation of the truth about the conditions in this world. On the contrary, photography, in the hands of the bourgeoisie, has become a terrible weapon against the truth. The vast amount of pictured material that is being disgorged daily by the press and that seems to have the character of truth serves in reality only to obscure the facts. The camera is just as capable of lying as the typewriter. (1931) 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 Digital production erases the image as analogon; it erases the real as something capable of being ‘imagined’.