George W. Bush
[Politician, b. 1946, in New Haven, Connecticut, lives in Dallas, Texas.]

 There are cameras nowadays that have been developed to tell the difference between a squirrel and a bomb. 

Andreas Gursky
[Photographer, b. 1955, Leipzig, Germany, lives in Dusseldorf.]

 In retrospect I can see that my desire to create abstractions has become more and more radical. Art should not be delivering a report on reality, but should be looking at what’s behind something. 

Richard Prince
[Artist, b. 1949, Panama Canal Zone, lives in New York.]

 What I find is that the taking, the stealing, the appropriation of images has to do with prior availability, and it sets up a degree where things can be shared... It’s like 50% off... You can let something of another emotion or another personality sign on your work, or co-sign it. 

William J. T. Mitchell
[Writer, theorist, and architect, b. 1944, Melbourne, Australia, lives in Cambridge, Massachusetts.]

 Photography is and is not a language; language also is and is not a “photography.” 

Anders Petersen
[Photographer, b. 1944, Solna, Sweden, lives in Stockholm.]

 That 15th of a second. Once you’ve been there, you keep on wanting to get back. 

Paul Theroux
[Writer, b. 1941, Medford, Massachusetts, lives in Cape Cod, Massachusetts and Haleiwa, Hawaii.]

 “I’ve never seen Marilyn like that before,” a critic once said to me. “That’s not Marilyn,” I said. “It’s a picture.” 

Boris Mikhailov
[Photographer, b. 1938, Kharkov, Ukraine, lives in Kharkov and Berlin.]

 Photographic accident may be more interesting than a consciously constructed collage. 

Victor Burgin
[Artist and writer, b. 1941, Sheffield, England, lives in London.]

 A job the artist does which no-one else does is to dismantle existing communication codes and to combine some of their elements into structures which can be used to generate new pictures of the world.