Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 We know too much about how photographs look... It is natural to make those pictures we know. It’s boring, you don’t learn anything that way. You keep making what you know. 

John Sexton
[Photographer, b. 1953, Maywood, California, lives in California.]

 Pictures you have taken have an influence on those that you are going to make. That’s life! 

Edward Weston
[Photographer, b. 1886, Highland Park, Illinois, d. 1958, Wildcat Hill, California.]

 By all means tell your Board that pubic hair has definitely been part of my development as an artist, tell them it has been the most important part, that I like it black, brown, red or golden, curly or straight, all sizes and shapes. (To Museum of Modern Art curator Beaumont Newhall, after being told the museum was reluctant to show nudes revealing pubic hair.) 

Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 ...I didn’t know what other people were doing because I was working in a vacuum—just me. I wasn’t looking at art. I wasn’t not looking at anything. 
I made a point not to look at anything because I was afraid that I’d be influenced. 

Alec Soth
[Photographer, b. 1969, Minneapolis, Minnesota, lives in Saint Paul, Minnesota.]

 Photography is a language. To communicate, you need to learn the language. The history of photography is like the vocabulary and influence is like a dialect. One shouldn’t be embarrassed about having an accent. 

Josef Koudelka
[Photographer, b. 1938, Biskovice, Moravia, Czechoslovakia, lives in Paris.]

 When I first started to take photographs in Czechoslovakia, I met this old gentleman, this old photographer, who told me a few practical things. One of the things he said was, “Josef, a photographer works on the subject, but the subject works on the photographer.” 

Berenice Abbott
[Photographer, writer, teacher, b. 1898, Springfield, Ohio, d. 1991, Monson, Maine.]

 There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own. 

Robert Mapplethorpe
[Photographer, b. 1946, Floral Park, Long Island, d. 1989, Boston, Massachusetts.]

 I would see a young kid walking down 42nd Street and then go into a magazine storefront, which were places I didn’t know anything about. I became obsessed with going into them and seeing what was inside those magazines. They were all sealed, which made them even sexier somehow, because you couldn’t get at them. A kid gets a certain kind of reaction, which of course when you’ve been exposed to everything you don’t get. I got that feeling in my stomach, it’s not a directly sexual one, it’s something more potent than that. I though if I could somehow bring that element into art, if I could somehow retain that feeling, I would be doing something that was uniquely my own. 
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