Jamie Wyeth
[Artist, b. 1946, Wilmington, Delaware, lives in Chadds Ford, Pennsylvania.]

 When painting portraits a lot of people say, “Why not get a photograph of the person?” Photography is wonderful and it is an art form in itself, but... my portrait is a culmination of elements... a truer image of a person than just the ‘click’ of a snapshot. 

Weegee (Usher Fellig)
[Photographer, b. 1899, Zlothew near Lemberg, Austrian Galicia (now Zolochiv, Ukraine), d. 1968, New York.]

 There are photographic fanatics, just as there are religious fanatics. They buy a so-called candid camera... there is no such thing: it’s the photographer who has to be candid, not the camera. 

Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 If you are capable of making good pictures it’s immoral not to do so, for whatever reason or excuse you might give. 

William Wegman
[Artist, b. 1943, Holyoke, Massachusetts, lives in New York.]

 I just imagined you were a camera. 

William Wordsworth
[Writer and poet, b. 1770, Cockermouth, Cumberland, England, d. 1850, Rydal Mount, England.]

 Avaunt this vile abuse of pictured page!
Must eyes be all-in-all, the tongue and ear
Nothing? Heaven keep us from a lower stage? 

David Foster Wallace
[Writer, b. 1962, Ithica, New York, d. 2008, Claremont, California.]

 You suffer with the stunted desire caused by one of its oldest lies. Do not believe the photographs. Fame is not the exit from any cage. 

Francis Wey
[Writer, member de la Société héliographique, b. 1812, Switzerland, d. 1882, Paris.]

 [Photography] is the seed of a revolution against the system of stencillers, to the benefit of reality... it would seem already that the public, more desirous of the truth, is growing less demanding in terms of preconceived ideas of style and beauty, and displaying curiosity toward the cult of the real. (1851) 

Clarence H. White
[Photographer, b. 1871, West Carlisle, Ohio, d. 1925, Mexico City.]

 I think the greatest weakness of the young worker is the lack of something to express. He is too much interested in the photograph for the sake of the photograph alone—that is, in the medium or in the taking of the photograph itself. The photograph should express something.