Geoffrey Batchen
[Photohistorian, b. 1956, Australia, lives in Wellington, New Zealand.]

 Remember that image of Truman holding up the premature issue of the Chicago Daily Tribune declaring his defeat by Dewey? It is in the Corbis catalogue. Remember Malcolm X pointing out over his crowd of listeners, the airship Hindenberg exploding in the New Jersey sky, that naked Vietnamese child running towards us after being burned by napalm, Churchill flashing his V-for-victory sign, Dorothea Lange’s Migrant Mother, Patty Hearst posing with her gun in front of the Symbionese Liberation Army banner, LBJ being sworn into office aboard Air Force One beside a blood-splattered Jackie? Corbis offers to lease us electronic versions of them all; it offers to sell us, in other words, the ability to reproduce our memories of our own culture, and therefore of ourselves. 

Rankin (John Rankin Waddell)
[Photographer, b. 1966, Glasgow, Scotland, lives in London.]

 At the end of the day, photography is ninety-nine percent business, connections, and politics and one percent creativity. 

Philippe Halsman
[Photographer, b. 1906, Riga, Latvia, d. 1979, New York.]

 I drifted into photography like one drifts into prostitution. First I did it to please myself, then I did it to please my friends, and eventually I did it for money. 

Bill Owens
[Photographer, b. 1938, San Jose, California, lives in Hayward, California.]

 I had no money. I couldn’t make a living. Then one day I found my Nikon under the seat of my car and I realized I wasn’t a photographer anymore. 

David Douglas Duncan
[Photojournalist, b. 1916, Kansas City, Missouri, lives in Mougins, France.]

 It’s very simple... this banging around with a camera and typewriter as a “business” is just one helluva lot of fun. 

Danny Lyon
[Photographer, b. 1942, New York, lives in Ulster County, New York.]

 My thirteen-year-old has a sign on his wall that reads “Corporate Rock Sucks.” Well now there's something called “Corporate Photography.” It’s corporations calling the shots in the world of photography. If Kodak is behind you they’ll make six copies of your exhibit, with prints big enough to sleep on and put full-page ads in the New York Times. So the corporations, who already own the media, have now bought up photography. 

Athol Fugard
[Playright, b. 1932, Middelburg, South Africa, lives in San Diego, California and South Africa.]

 You call that work? Click-click with a camera. Are you mad? 

Wim Wenders
[Artist and filmmaker, b. 1945, Düsseldorf, lives in Berlin.]

 An image that is unseen can’t sell anything. It is pure, therefore true, beautiful, in one word: innocent. As long as no eye contaminates it, it is in perfect unison with the world. If it is not seen, the image and the object it represents belong together. 
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