Douglas McCulloh
[Photographer, b. 1959, Los Angeles, lives in Los Angeles.]

 To teach consequential photography, don’t bother with Photoshop or f-stops. Create a craving for images. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Photography is the only major art in which professional training and years of experience do not confer an insuperable advantage over the untrained and inexperienced—this for many reasons, among them the large role that chance (or luck) plays in the taking of pictures, and the bias toward the spontaneous, the rough, the imperfect. 

Max Pam
[Photographer, b. 1949, Melbourne, Australia, lives in Perth, Australia.]

 [My photography teacher] gave me the Mexican Day Books of Edward Weston and just blew me away with this work. The fact that you could be this fabulous visual artist, with all this milieu of people like Diego Rivera and you could sleep with these gorgeous, amazing women, that you could live that life—that photography could deliver you that life. 

Paul Strand
[Photographer, b. 1890, New York, d. 1976, Oregeval, France.]

 I read the other day that Minor White said it takes twenty years to become a photographer. I think that is a bit of an exaggeration. I would say, judging from myself, that it takes at least eight or nine years. But it does not take any longer than it takes to learn to play the piano or the violin. If it takes twenty years, you might as well forget about it! 

Harry Callahan
[Photographer, b. 1912, Detroit, Michigan, d. 1999, Atlanta, Georgia.]

 I really didn’t have much to teach. I didn’t even believe in it. I felt so strongly that everybody had to find their own way... In terms of art, the only real answer that I know of is to do it. If you don’t do it, you don’t know what might happen. 

Brian Duffy
[Photographer, b. 1933, London, d. 2010, London.]

 One of the great problems with photography is that any twat you give a camera to can take a photograph. What that does to the photographer is immediately create an inferiority complex within him because anyone can do it, which of course they can. 

Sophie Calle
[Artist, b. 1953, Paris, lives in Paris and New York.]

 I met a photographer who agreed to give me a few lessons; in exchange, I had to pose naked for him. 

Alfred Stieglitz
[Photographer and curator, b. 1864, Hoboken, New Jersey, d. 1946, New York.]

 I hate to look at the future and see myself as a dried up teacher of photography. (On being forced to earn money teaching at Columbia and the Brooklyn Museum, 1908) 
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