Nan Goldin
[Photographer, b. 1953, Washington, D.C., lives in New York and Paris.]

 [The snapshot is] the form of photography that is most defined by love. People take them out of love, and they take them to remember—people, places, and times. They’re about creating a history by recording a history. 

Lisette Model
[Photographer, b. 1906, Vienna, Austria, d. 1983, New York.]

 I am a passionate lover of the snapshot, because of all photographic images it comes closest to truth. 

R. Crumb
[Cartoonist, b. 1943, Philadelphia, Pennsylvania, lives in Sauve, France.]

 They were just snapshots, nothing special, nothing particularly artistic. They were used for utility purposes.
(On photographs of mundane streetscapes he had “Stanley Something-or-other” take in Sacramento in 1988 to serve as backgrounds to his cartoons. “People don’t draw it, all this crap, people don’t focus attention on it because it’s ugly, it’s bleak, it’s depressing... But, this is the world we live in; I wanted my work to reflect that, the background reality of urban life.”) 

William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 Sometimes, I’d take shots without aiming, just to see what happened. I’d rush into crowds—bang! bang! ... It must be close to what a fighter feels after jabbing and circling and getting hit, when suddenly there’s an opening, and bang! Right on the button. It’s a fantastic feeling. 

Lisette Model
[Photographer, b. 1906, Vienna, Austria, d. 1983, New York.]

 The snapshot has no pretense or ambition. Innocence is the quintessence of the snapshot. I wish to distinguish between innocence and ignorance. Innocence is one of the highest forms of being and ignorance is one of the lowest. 

John Baldessari
[Artist, b. 1931, National City, California, lives in Venice, California.]

 I have no particular allegiance to photography, other than it’s quick. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Pictures should look like they were easily taken. 

Nikki S. Lee
[Photographer, b. 1970, Kye-Chang, Korea, lives in New York.]

 I don’t want to carry big things around with me. I’m lazy. The snapshot camera, you just carry it around and take the picture. You don’t need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable. 
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