Saul Steinberg
[Artist, b. 1914, Râmnicu Sarat, Romania, d. 1999, New York.]

 It seems that photography has just been calisthenics, an illusion, an alibi for the real thing. 

John Gossage
[Photographer, b. 1946, Staten Island, New York, lives in Washington D.C..]

 You can do anything you like, it’s all fiction. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 We know too much about how photographs look... It is natural to make those pictures we know. It’s boring, you don’t learn anything that way. You keep making what you know. 

Stephen Shore
[Photographer, b. 1947, New York, lives in New York.]

 Even in ordinary reproduction [photography] verges on facsimile. 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 The fact is that these are not my children; they are figures on silvery paper slivered out of time. They represent my children at a fraction of a second on one particular afternoon with infinite variables of light, expression, posture, muscle tension, mood, wind and shade. These are not my children at all; these are children in a photograph. 

Edward Steichen
[Photographer and curator, b. 1879, Luxembourg, Germany, d. 1973, West Redding, Connecticut.]

 Every photograph is a fake from start to finish. 

Andreas Gursky
[Photographer, b. 1955, Leipzig, Germany, lives in Dusseldorf.]

 Paradoxically, this view of the Rhine cannot be obtained in situ; a fictitious construction was required to provide an accurate image of a modern river. (On his photograph Rhein II) 

James McNeill Whistler
[Artist, b. 1834, Lowell, Massachusetts, d. 1903, London.]

 The imitator is a poor kind of creature. If the man who paints only the face, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. 
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