Andres Serrano
[Artist, b. 1950, New York, lives in New York.]

 I’ve always felt that I wanted my work to be more or less open to interpretation and so even though some of the work has got people riled up, my attitude has always been I didn’t mean to offend you but if I did, fuck it, I’m not going to apologize. 

Minor White
[Photographer, writer, and theorist, b. 1908, Minneapolis, Minnesota, d. 1976, Cambridge, Massachusetts.]

 When I looked at things for what they are I was fool enough to persist in my folly and found that each photograph was a mirror of my Self. 

Nobuyoshi Araki
[Photographer, b. 1940, Tokyo, lives in Tokyo.]

 If I hadn’t documented [my wife’s] death, both the description of my state of mind and my declaration of love would have been incomplete. I found consolation in unmasking lust and loss, by staging a bitter confrontation between symbols. After Yoko’s death, I didn’t want to photograph anything but life—honestly. Yet every time I pressed the button, I ended up close to death, because to photograph is to stop time. I want to tell you something, listen closely: photography is murder. 

John Szarkowski
[Curator, critic, historian, and photographer, b. 1925, Ashland, Wisconsin, d. 2007, Pittsfield, Massachusetts.]

 Photography’s central sense of purpose and aesthetic: the precise and lucid description of significant fact. 

Robert Morris
[Artist and theorist, b. 1931, Kansas City, Missouri, lives in New York.]

 There is probably no defense against the malevolent powers of the photograph to convert every visible aspect of the world into a static, consumable image. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 Were it not for the fact that photography permits me to seize and to possess the human body and face in more than a temporary manner, I should quickly have tired of this medium. 

Alexey Brodovitch
[Graphic designer and art director, b. 1898, Ogolitchi, Russia, d. 1971, Le Thor, France.]

 When you look into your camera, if you see an image you have ever seen before, don’t click the shutter. 

Gabriel Orozco
[Artist, b. 1962, Jalapa, Veracruz, Mexico, lives in New York, Paris, and Mexico City.]

 We normally consider stability to be the constant in life and accidents to be the exception, but it’s exactly the opposite. In reality, the accident is the rule and stability is the exception.