William Burroughs
[Writer, b. 1914, St. Louis, Missouri, d. 1997, Lawrence, Kansas.]

 Cut word lines — Cut music lines — Smash the control images — Smash the control machine — 

Francis Galton
[Polymath, explorer, anthropologist, inventor, meteorologist, statistician, b. 1822, Birmingham, England, d. Haslemere, Surrey, England.]

 [My composite portrait process] represents no man in particular, but portrays an imaginary figure possessing the average features of any group of men. These ideal faces have a surprising air of reality. Nobody who glanced at one of them for the first time, would doubt its being the likeness of a living person, yet, as I have said, it is no such thing; it is the portrait of a type and not of an individual. (1879) 

Manuel Álvarez Bravo
[Photographer, b. 1902, Mexico City, d. 2002, Mexico City.]

 I think that light and shadow have exactly the same duality that exists between life and death. 

Johann Wolfgang von Goethe
[Poet, novelist, playwright, and natural philosopher, b. 1749, Frankfurt am Main, Germany, d. 1832, Weimar, Germany.]

 The hardest thing to see is what is in front of your eyes. (Maxim often quoted by Albert Renger-Patzsch.) 

Nan Goldin
[Photographer, b. 1953, Washington, D.C., lives in New York and Paris.]

 Every time I go through something scary, traumatic, I survive by taking pictures. 

Joel-Peter Witkin
[Photographer, b. 1939, Brooklyn, New York, lives in Albuquerque, New Mexico.]

 I’ve come to realize that the mark is the primal gesture, the internal connection of the caveman to the cosmos; an impossibility similar to an impulse in an insect’s nervous system that it could somehow reduce to dust a steel beam by endlessly crawling over it. 

Thomas Ruff
[Photographer, b. 1958, Zell, Germany, lives in Dusseldorf, Germany.]

 Photographs are still always depictions, it's just that for my generation the model for the photograph is probably not reality any more, but images we have of that reality. 

Jeff Koons
[Artist, b. 1955, York, Pennsylvania, lives in New York.]

 Sex with love is a higher state. It’s an objective state, in which one lives and enters the eternal, and I believe that’s what I showed people. That’s why it wasn’t pornographic. (On the hard-core self-portraits he made having sex with his wife Ilona “Cicciolina” Staller and exhibited under the title “Made in Heaven.”)