James Joyce
[Writer, b. 1882, Rathgar, Ireland, d. 1941, Zurich, Switzerland.]

 He dwelt, being a bit of an artist in his spare time, on the female form in general developmentally because, as it so happened, no later than that afternoon he had seen those Grecian statues, 1450 perfectly developed as works of art, in the National Museum. Marble could give the original, shoulders, back, all the symmetry, all the rest... Whereas no photo could because it simply wasn’t art in a word. 

Bill Jay
[Photographer, writer, and curator, b. 1940, Maidenhead, England, d. 2009, Samara, Costa Rica.]

 Photoshop makes it easier to do all the things you didn’t need to do before Photoshop. 

William Henry Jackson
[Photographer, b. 1843, Keesville, New York, d. 1942, New York.]

 Portrait photography never had any charms for me, so I sought my subjects from the house-tops, and finally from the hill-tops and about the surrounding country; the taste strengthening as my successes became greater in proportion to the failures. 

Estelle Jussim
[Writer and critic, b. 1927, New York, d. 2004, Holyoke, Massachusetts.]

 A photograph is as much an act of interpretation as it is an artifact. 

Henry James
[Writer, b. 1843, New York, d. 1916, Rye, England.]

 Every good story is of course both a picture and an idea, and the more they are interfused the better the problem is solved. 

Jasper Johns
[Artist, b. 1930, Augusta, Georgia, lives in Sharon, Connecticut and the island of St. Martin.]

 A picture ought to be looked at the same way you look at a radiator. 

Fredric Jameson
[Writer and theoretician, b. 1934, Cleveland, Ohio, lives in Durham, North Carolina.]

 The visual is essentially pornographic, which is to say that it has its end in rapt, mindless fascination. 

Jesse Jackson
[Minister and activist, b. 1941, Greenville, South Carolina, lives in Chicago.]

 Pictures can live in one’s memory. That’s why they are important.