Arthur Tress
[Photographer, b. 1940, Brooklyn, New York, lives in Cambria, California.]

 I believe it is the photographer’s function to reveal that which is concealed, even if it be repugnant to the majority, not merely to record what we see around us. 

Florence Thompson
[Migrant mother, b. 1904, Oklahoma, d. 1983, Scotts Valley, California.]

 That’s my picture hanging all over the world, but I can’t get a penny out of it. What good’s it doing me? (Dorothea Lange’s Migrant Mother at 75 years of age living in a trailer park near where the famous photograph was taken and surviving on $331.60 monthly social security.) 

Deborah Turbeville
[Photographer, b. 1932, Medford, Massachusetts, d. 2013, New York.]

 I destroy the image after I’ve made it, obliterate it a little so you never have it completely there. 

Donald Trump (Drumpf)
[Businessman, liar, huckster, politician, b. 1946, New York, lives in Washington, D.C..]

 Be very careful, because in your hotel rooms and no matter where you go, you’re gonna probably have cameras. (Advice, offered while denying the existence of photo documents of him performing outer edge sexual practices in a Russian hotel room.) 

Dylan Thomas
[Poet and writer, b. 1914, Swansea, South Wales, d. 1953, New York.]

 The photograph is married to the eye,
Grafts on its bride one sided skins of truth. 

Wolfgang Tillmans
[Photographer, b. 1968, Remscheid, Germany, lives in London.]

 The true authenticity of photographs for me is that they usually manipulate and lie about what is in front of the camera, but never lie about the intentions behind the camera. 

Charles Traub
[Photographer, writer, and critic, b. 1945, Louisville, Kentucky, lives in New York.]

 If it can be done digitally, do it. 

Sergei Tretyakov
[Writer, critic, and artist, b. 1892, Guldiga, Russia (now Kuldigas, Latvia), d. 1939, Moscow.]

 If a more or less random snapshot is like an infinitely fine scale that has been scratched from the surface of reality with the tip of a finger, then in comparison the photoseries or photomontage lets us experience the extended massiveness of reality, its authentic meaning. We build systematically. We must also photograph systematically. Sequence and long-term photographic observation—that is the method.