Wright Morris
[Writer and photographer, b. 1910, Central City, Nebraska, d. 1998, Mill Valley, California.]

 The vast number of photographers, feeding on anything visible, overgraze the landscape the way cattle overgraze their pasture. 

Graham Nash
[Musician, photographer, and collector, b. 1942, Blackpool, Lancashire, England, lives in Encino, California.]

 I don’t shoot kittens with balls of wool. I don’t shoot sunsets. What draws me? Ironic, surreal, unexplained, timely moments. 

Bill McKibben
[Writer, b. 1960, Palo Alto, California, lives near Lake Chanokaub, New York.]

 After a lifetime of nature shows and magazine photos, we arrive at the woods conditioned to expect splendor—surprised when the parking lot does not contain a snarl of animals attractively mating and killing each other. 

Thomas Ruff
[Photographer, b. 1958, Zell, Germany, lives in Dusseldorf, Germany.]

 I’ve been interested in the genre of nude photography for a long time. What I find altogether boring is contemporary nude photography of the kind currently carried on by fashion photographers, who take supposedly interesting photographs of pretty models in some pleasant ambience. That’s something for adolescent 13-year-old Max readers. I’m 41, and when I’m naked I’m either lying in the tub or in bed with my girlfriend. My nude photographs are intended to be somewhat “more adult.” 

Vik Muniz
[Artist, b. 1961, Sao Paulo, Brazil, lives in New York.]

 Smiling for a camera seems to be embedded in the genetic code—even the blind do it. 

Ed Ruscha
[Artist, b. 1937, Omaha, Nebraska, lives in Los Angeles.]

 Unfortunately, there was no Jackson Pollock of the camera. 

Annette Messager
[Artist, b. 1943, Berck-sur-Mer, France, lives in Paris.]

 Pornography is about images that are repeated, saturated. Images of the human body, not nature. What I find in pornography is precisely the repetition of the same: the clichés of pornography. There can be no real transgression, just an image that repeats itself. 

Edouard Boubat
[Photographer, b. 1923, Paris, France, d. 1999, Paris.]

 Millions of unnecessary photos are taken every day. People stand before the Pyramids and photograph them, when for three cents they could buy postcards which show them much better. 
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