Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 The surrealism of my pictures was nothing but the real made eerie by vision. I was trying to express reality, for there is nothing more surrealist. 

W.G Sebald
[Writer, b. 1944, Bavaria, Germany, d. 2001, East Anglia, England.]

 In my photographic work I was always especially entranced... by the moment when the shadows of reality, so to speak, emerge out of nothing on the exposed paper, as memories do in the middle of the night, darkening again if you try to cling to them. 

Salvador Dali (Salvador Felipe Jacinto Dalí Domènech, Marquis of Pubol)
[Artist, b. 1904, Figueres, Catalonia, Spain, d. 1989, Figueres, Spain.]

 Photographic data... is still and ESSENTIALLY THE SAFEST POETIC MEDIUM and the most agile process for catching the most delicate osmoses which exist between reality and surreality. The mere fact of photographic transposition means a total invention: the capture of a secret reality. 

André Breton
[Artist, writer, editor, and critic, b. 1896, Tinchebray, France, d. 1966, Paris, France.]

 Radios? Fine. Syphilis? If you like. Photography? I don’t see any reason why not. (Manifesto of Surrealism, 1924) 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 Surreality lies within ourselves, in objects that have become banal because we no longer see them, in the normality of the normal. 

Rosalind Krauss
[Writer, critic, and historian, b. 1941, Washington, D.C., lives in New York.]

 Contrivance is what ensures that a photograph will seem surrealist. 

Bill Brandt
[Photographer, b. 1904, Hamburg, Germany, d. 1983, London.]

 Andre Breton once said that a portrait should not only be an image but an oracle one questions, and that the photographer’s aim should be a profound likeness, which physically and morally predicts the subject’s entire future. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Surrealism lies at the heart of the photographic enterprise: in the very creation of a reality in the second degree, narrower but more dramatic than the one perceived by natural vision. 
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