Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 One cannot be thinking about the page layout while one is actually shooting a story. 

Weegee (Usher Fellig)
[Photographer, b. 1899, Zlothew near Lemberg, Austrian Galicia (now Zolochiv, Ukraine), d. 1968, New York.]

 I had so many unsold murder pictures lying around my room... I felt as if I were renting out a wing of the City Morgue. 

Annie Leibovitz
[Photographer, b. 1949, Westbury, Connecticut, lives in New York.]

 ...I gave up on being a journalist—I thought having a point of view was more important than being objective. 

John Szarkowski
[Curator, critic, historian, and photographer, b. 1925, Ashland, Wisconsin, d. 2007, Pittsfield, Massachusetts.]

 The basic effect of modern mass media on photography has been to erode the creative independence and the accountability of the photographer who has worked for them. (1967) 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 The first word I would remove from the folklore of journalism is the word objective. 

Alex Webb
[Photographer, b. 1952, San Francisco, lives in Brooklyn, New York.]

 Running through a lot of traditional photojournalism there is an overwhelming sense of... pictures that say something, that define something. I’m not trying to define things. I’m trying to explore things. I’m trying to ask questions. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 The journalistic photographer can have no other than a personal approach; and it is impossible for him to be completely objective. Honest—yes. Objective—no. 

Sebastião Salgado
[Photographer, b. 1944, Aimores, Minas Gerias, Brazil, lives in Paris and Brazil.]

 I’m not an artist. An artist makes an object. Me, it’s not an object, I work in history, I’m a storyteller. 
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