Tibor Kalman
[Graphic designer, b. 1949, Budapest, d. 1999, Dorado, Puerto Rico.]

 Could you blow this up really big and print it in the wrong color and tell everybody to go back to school and to remember that form ain’t worth shit anyway and that content ideas you big bunch of jerks rules make that part red or something ok? 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 Stop trying to get it right. Just take the picture. 

Corinne Day
[Photographer, b. 1962, Ealing, West London, d. 2010, Denham, England.]

 The ‘grunge look’, as my style was called, simply showed girls as they really are, without make-up, styled hair, flattering light. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 Recently I did a picture—I’ve had this experience before—and I made rough prints of a number of them. There was something wrong in all of them. I felt I’d sort of missed it and I figured I’d go back. But there was one that was just totally peculiar. It was a terrible dodo of a picture. It looks to me a little as if the lady’s husband took it. It’s terribly head-on and sort of ugly and there’s something terrific about it. I’ve gotten to like it better and better and now I’m secretly sort of nutty about it. 
 I don’t know what good composition is... Sometimes for me composition has to do with a certain brightness or a certain coming to restness and other times it has to do with funny mistakes. There’s a kind of rightness and wrongness and sometimes I like rightness and sometimes I like wrongness. 

Robert Mapplethorpe
[Photographer, b. 1946, Floral Park, Long Island, d. 1989, Boston, Massachusetts.]

 Perfection means you don’t question anything about the photograph. 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 I prefer to work on the edge, not the middle of the road. I am looking for chaos. 

Robert Rauschenberg
[Artist, b. 1925, Port Arthur, Texas, d. 2008, Captiva Island, Florida.]

 The eye that looks for perfection is the one that is anticipating a controlled retirement (no matter what the age). 
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