William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 I had neither training nor complexes. By necessity and choice, I decided that anything would have to go. A technique of no taboos: blur, grain, contrast, cock-eyed framing, accidents, whatever happens. 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 Stop trying to get it right. Just take the picture. 

Boris Mikhailov
[Photographer, b. 1938, Kharkov, Ukraine, lives in Kharkov and Berlin.]

 I was always against good technique because it didn’t work with Soviet life. Good quality equals foreign life. 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 I prefer to work on the edge, not the middle of the road. I am looking for chaos. 

Anton Corbijn
[Photographer, b. 1955, Strijen, Netherlands, lives in London.]

 I feel the imperfection is much closer to how life is than perfection. 

Tibor Kalman
[Graphic designer, b. 1949, Budapest, d. 1999, Dorado, Puerto Rico.]

 Could you blow this up really big and print it in the wrong color and tell everybody to go back to school and to remember that form ain’t worth shit anyway and that content ideas you big bunch of jerks rules make that part red or something ok? 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 I have found tangible evidence that within this life’s sweet tedium reside certain truths: that nothing attains maximum beauty until touched with decay, that the vulgar and miraculous can be one. 

John Loengard
[Photographer, editor, and critic, b. 1934, New York, lives in New York.]

 Usually I think if there is something imperfect in a photograph it makes the picture more real. Photographs that are slick, smooth, and perfect seem less honest to me. 
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