William Eggleston
[Photographer, b. 1939, Memphis, Tennessee, lives in Memphis.]

 A picture is what it is and I’ve never noticed that it helps to talk about them, or answer specific questions about them, much less volunteer information in words. It wouldn’t make any sense to explain them. Kind of diminishes them. People always want to know when something was taken, where it was taken, and, God knows, why it was taken. It gets really ridiculous. I mean, they’re right there, whatever they are. 

Annie Sprinkle (Ellen Steinberg)
[Artist, writer, pornographer, educator, b. 1954, Philadelphia, Pennsylvania, lives in Santa Cruz, California.]

 I always knew I’d be some kind of artist. I thought I’d be an art teacher. In fact, I am an art teacher. When I went into porn, I thought, Oh I’ll never be an art teacher. But I’m hired now as an artist because I went into porn. But I don’t make regular porn anymore. I make post-porn, post-porn modernism... 

Tibor Kalman
[Graphic designer, b. 1949, Budapest, d. 1999, Dorado, Puerto Rico.]

 Could you blow this up really big and print it in the wrong color and tell everybody to go back to school and to remember that form ain’t worth shit anyway and that content ideas you big bunch of jerks rules make that part red or something ok? 

Joe Rosenthal
[Photographer, b. 1911, Washington, D.C., d. 2006, Novato, California.]

 It has been done in oils, water colors, pastels, chalk and match sticks. A float based on it won a prize in a Rose Bowl parade, and the flag-raising has been re-enacted by children, by gymnasts... and as a part of the Orange Bowl pageant in Miami. It has been sculpted in ice and in hamburger. (On his photograph of U.S. Marines raising the American flag on Mt. Suribachi, Iwo Jima.) 

Bill Jay
[Photographer, writer, and curator, b. 1940, Maidenhead, England, d. 2009, Samara, Costa Rica.]

 Making a photograph is as difficult as finding a particularly frisky cat in a dark room. Making a great photograph is as chancy as trying to catch a frisky cat in a black room in which there is no cat. 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 I used photography to distance myself from a world that I loathed and was powerless to improve. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 You know why your pictures are no fucking good? Because they don’t describe the chaos of life. (Quoted by Philip-Lorca DiCorcia) 

Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 ... I wanted to be a storyteller, tell a story. Which I hate to even admit to now, because I hate photojournalism so badly. 
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