Aaron Siskind
[Photographer, b. 1903, New York, d. 1991, Providence, Rhode Island.]

 I want to bring my pictures to the ideal of music. Like music, it means everything, it says everything, but it is objective. 

Anders Petersen
[Photographer, b. 1944, Solna, Sweden, lives in Stockholm.]

 I can’t describe reality; at the most, I can try to capture things that seem to be valid, the way I see them. 

Minor White
[Photographer, writer, and theorist, b. 1908, Minneapolis, Minnesota, d. 1976, Cambridge, Massachusetts.]

 The objectivity of the camera, used wrongly, is the very devil. 

Dorothea Lange
[Photographer, b. 1895, Hoboken, New Jersey, d. 1965, San Francisco.]

 ... it is not a factual photograph per se. The documentary photograph carries with it another thing, a quality in the subject that the artist responds to. It is a photograph which carries the full meaning of the episode or the circumstance or the situation that can only be revealed—because you can’t really recapture it—by this other quality. There is no real warfare between the artist and the documentary photographer. He has to be both. 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 I love the fact that a photograph is always open to interpretation—there is no fixed meaning. 

Luigi Ghirri
[Photographer, b. 1943, Scandiano, Italy, d. 1992, Reggio Emilia, Italy.]

 …my role as a photographer is never that of an author, a chronicler, or a director; my role should be indistinguishable from those I photograph. 

Henry Holmes Smith
[Artist and teacher, b. 1909, Bloomington, Illinois, d. 1986, San Rafael, California.]

 The intensely felt subjective image is always the reason for making a first rate picture. 

Allan Sekula
[Photographer, writer, and theorist, b. 1951, Erie, Pennsylvania, d. 2013, Los Angeles.]

 The only “objective” truth that photographs offer is the assertion that somebody or something... was somewhere and took a picture. Everything else, everything beyond the imprinting of a trace, is up for grabs. 
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