Nathan Lyons
[Photographer, writer, and curator, b. 1930, Jamaica, New York, d. 2016, Rochester, New York.]

 The accidents of millions of amateurs devoid of a picture vocabulary—which produced an outpouring of multiple exposures, distortions, unusual perspectives, foreshortening of planes, imbalance—has contributed greatly to the visual vocabulary of all media since before the turn of the century. 

George Bernard Shaw
[Writer, critic, and dramatist, b. 1856, Dublin, d. 1950, Ayot St. Lawrence, Hertfordshire, England.]

 The hand of the painter is incurably mechanical: his technique is incurably artificial... The camera... is so utterly unmechanical. 

Raymond Depardon
[Photographer and filmmaker, b. 1942, Villefranche-sur-Saône, France, lives in Paris.]

 I like to be on my own when I look at my contact sheets, because I’m often disappointed... But as years go by we become proud of our old contact sheets. They are a tool that allows us to fight against time. 

Abbas (Abbas Attar)
[Photographer, b. 1944, Iran, d. 2018, Paris.]

 I am among the generation of photographers who believe a picture is sacred, that once you took take it, that’s it: you don’t crop it, you don’t touch it, you don’t fool around with it. 

Wim Wenders
[Artist and filmmaker, b. 1945, Düsseldorf, lives in Berlin.]

 The beautiful image today means nothing. It’s worth shit. In fact, it’s almost as if it has the opposite effect, because you’re just like everything else out there. 
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