Andres Serrano
[Artist, b. 1950, New York, lives in New York.]

 There’s nothing wrong with provocative art work: I even look forward to the day when I can take pictures which will disturb even me. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 Recently I did a picture—I’ve had this experience before—and I made rough prints of a number of them. There was something wrong in all of them. I felt I’d sort of missed it and I figured I’d go back. But there was one that was just totally peculiar. It was a terrible dodo of a picture. It looks to me a little as if the lady’s husband took it. It’s terribly head-on and sort of ugly and there’s something terrific about it. I’ve gotten to like it better and better and now I’m secretly sort of nutty about it. 

Lynsey Addario
[Photographer, b. 1973, Norwalk, Connecticut, lives in Islington, England.]

 I choose to live in peace and witness war—to experience the worst in people but to remember the beauty. 

Tallulah Bankhead
[Actress, b. 1902, Huntsville, Alabama, d. 1968, New York.]

 They used to photograph Shirley Temple through gauze. They should photograph me through linoleum. 

Aleksander Rodchenko
[Artist, designer, architect, b. 1891, St. Petersburg, d. 1956, Moscow.]

 Damn it, nobody knows what is beautiful and what is not. They do not understand new things. 

Chris Burden
[Artist, b. 1946, Boston, Massachusetts, d. 2015, Los Angeles.]

 It’s about trying to frame something. And draw attention to it and say, “Here’s the beauty in this. I’m going to put a frame around it, and I think this is beautiful.” That’s what artists do. It’s really a pointing activity. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 I don’t know if all the women in the photographs are beautiful, but I do know the women are beautiful in the photographs. 

George Bernard Shaw
[Writer, critic, and dramatist, b. 1856, Dublin, d. 1950, Ayot St. Lawrence, Hertfordshire, England.]

 It is monstrous that custom should force us to display our faces ostentatiously, however worn and wrinkled and mean they may be, whilst carefully concealing all our other parts, however shapely and well preserved. 
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