Charles, Earl Spencer
[Secondary royalty, b. 1964, Althorp, Northamptonshire, England, lives in Althorp.]

 It would appear that every proprietor and editor of every publication that has paid for intrusive and exploitative photographs of her, encouraging greedy and ruthless individuals to risk everything in pursuit of Diana’s image, has blood on his hands today. (On the paparazzi role in the car crash death of his sister, Lady Diana) 

Weegee (Usher Fellig)
[Photographer, b. 1899, Zlothew near Lemberg, Austrian Galicia (now Zolochiv, Ukraine), d. 1968, New York.]

 When you find yourself beginning to feel a bond between yourself and the people you photograph, when you laugh and cry with their laughter and tears, you will know you are on the right track. 

Nobuyoshi Araki
[Photographer, b. 1940, Tokyo, lives in Tokyo.]

 Don’t you think that it is necessary to have a sense of brutality in photography? 

Helmut Newton
[Photographer, b. 1920, Berlin, d. 2004, Los Angeles.]

 Any photographer who says he’s not a voyeur is either stupid or a liar. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 I am not ghoulish, am I? It wouldn’t anyway have been better to turn away, would it? 

Florence Thompson
[Migrant mother, b. 1904, Oklahoma, d. 1983, Scotts Valley, California.]

 That’s my picture hanging all over the world, but I can’t get a penny out of it. What good’s it doing me? (Dorothea Lange’s Migrant Mother at 75 years of age living in a trailer park near where the famous photograph was taken and surviving on $331.60 monthly social security.) 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 There is an aggression implicit in every use of the camera. 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 Exploitation lies at the root of every great portrait, and all of us know it. Even the simplest picture of another person is ethically complex. 
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