Roland Barthes
[Writer, critic, and theorist, b. 1915, Cherbourg, d. 1980, Paris.]

 How does meaning get into the image? Where does it end? And if it ends, what is there beyond? 

Rosalind Krauss
[Writer, critic, and historian, b. 1941, Washington, D.C., lives in New York.]

 By exposing the multiplicity, the facticity, the repetition and stereotype at the heart of every aesthetic gesture, photography deconstructs the possibility of differentiating between the original and the copy. [Photography calls] into question the whole concept of the uniqueness of the art object, the originality of the author, the coherence of the oeuvre within which it was made, and the individuality of so-called self-expression. 

Roger Ballen
[Photographer, b. 1950, New York, lives in Johannesburg, South Africa.]

 When you push the shutter and take a photo you are a photographer, but are you an artist? 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 It’s not the decisive moment. It’s not the beginning or end. It’s the middle. It’s more like a question. 

Andy Warhol
[Artist, b. 1928, Pittsburgh, Pennsylvania, d. 1987, New York.]

 Isn’t life a series of images that change as they repeat themselves? 

Roman Opalka
[Artist, b. 1931, Hocquincourt, France, d. 2011, Rome.]

 Art has a lot in common with madness. After all, why should one get involved with art? You can live normally like everyone else—which is to say, as stupidly as everyone else. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 When calculation and digital win out over form, when software wins out over the eye, can we still speak of photography? 

Siegfried Kracauer
[Media critic and sociologist, b. 1889, Frankfurt, Germany, d. 1966, New York.]

 The question is whether the image decisively catches reality. (1930) 
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