God (Judeo-Christian Version)
[Omnipotent artist, critic, creator and destroyer, before time, lives everywhere and nowhere.]

 Thou shalt not make unto thee any graven image, or likeness of any thing that is in the earth beneath, or that is in the water under the earth: thou shalt not bow down thyself to them; nor serve them... (Judeo-Christian version of God; Exodus 20:4) 

John Glenn
[Astronaut and politician, b. 1921, Cambridge, Ohio, lives in Washington D.C.]

 To hell with this. I’m going to go down to Cocoa Beach. (On being told by NASA that he couldn’t take a camera on his historic first space flight, forcing him to make a trip to a Florida drugstore where he bought the Ansco Autoset snapshot camera and two rolls of Kodak film he used on the flight.) 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 The appetite for showing pictures of bodies in pain is as keen, almost, as the desire for ones that show bodies naked. 

Hugo Ball
[Author, artist, and poet, b. 1886, Pirmasens, Germany, d. 1927, Sant'Abbondio, Switzerland.]

 The symbolic view of things is a consequence of long absorption in images. Is sign language the real language of Paradise? 

Edvard Munch
[Artist, b. 1863, Loten, Hedmark, Norway, d. 1944, Oslo, Norway.]

 The camera cannot compete with painting so long as it cannot be used in heaven and in hell. 

Alfred Eisenstaedt
[Photographer, b. 1898, Dirschau, West Prussia (now Tczew, Poland), d. 1995, New York.]

 I will be remembered when I’m in heaven. People won’t remember my name, but they will know the photographer who did that picture of that nurse being kissed by the sailor at the end of World War II. Everybody remembers that. 

Anne Frank
[Writer, b. 1929, Frankfurt, Germany, d. 1945, Bergen-Belsen concentration camp, Germany.]

 This is a photo as I would wish myself to look all the time. Then I would maybe have a chance to come to Hollywood. (10, October, 1942; Handwritten inscription on a photograph) 

Nhem En
[Photographer, b. 1961, Kampong Leng, Kampong Chhnang, Cambodia, lives in Cambodia.]

 My only job was to photograph them, and it was someone else who tortured and killed these people. As a photographer, I had no right to beat, torture, or kill prisoners. I could not touch them. (En, official photographer at Khmer Rouge torture center Tuol Sleng, estimates he took photographs of 10,000 people arriving at the center. Eight survived.) 
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