Martha Rosler
[Artist, b. 1943, Brooklyn, New York, lives in New York.]

 The question at hand is the danger posed to truth by computer-manipulated photographic imagery. How do we approach this question in a period in which the veracity of even the straight, unmanipulated photograph has been under attack for a couple of decades. 

Marc Riboud
[Photographer, b. 1923, St.-Genis-Laval, France, d. 2016, Paris.]

 The idea of photography as evidence is pure bullshit. A photo is no more proof of any reality than what you may hear being said by someone in a bus. We only record details, small fragments of the world. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 The photograph isn’t what was photographed. It’s something else. It’s a new fact. 

Edmundo Desnoes
[Writer, b. 1930, Havana, Cuba, lives in New York.]

 Photography has fooled the world. There’s no more convincing fraud. Its images are nothing but the expression of the invisible man working behind the camera. They are not reality, they form part of the language of culture. 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 The twentieth century was the time of photography, when almost everything of importance was recorded and considered true because it was photographed. Nowadays nearly anyone can produce a photograph of Ladybird Johnson standing on the grassy knoll with a smoking gun in her hand and no one can prove it’s a fake. 

Errol Morris
[Documentary filmmaker, b. 1948, Hewlett, New York, lives in Cambridge, Massachusetts.]

 If you want to trick someone with a photograph, there are lots of easy ways to do it. You don’t need Photoshop. You don’t need sophisticated digital photo-manipulation. You don’t need a computer. All you need to do is change the caption. 

George Orwell (Eric Arthur Blair)
[Writer, b. 1903, Motihari, Bengal, India, d. 1950, London.]

 It was true that there was no such person as Comrade Oglivy, but a few lines of print and a couple of faked photographs would soon bring him into existence... Comrade Oglivy, who had never existed in the present, now existed in the past, and when once the act of forgery was forgotten, he would exist just as authentically, and upon the same evidence, as Charlemagne or Julius Caesar. 

Paolo Roversi
[Photographer, b. 1947, Ravenna, Italy, lives in Paris.]

 Photography goes beyond the limits of reality and illusion. It brushes up against another life, another dimension, revealing not only what is there but what is not there. 
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