Chris Burden
[Artist, b. 1946, Boston, Massachusetts, d. 2015, Los Angeles.]

 I will be shot with a rifle at 7:45 P.M. I hope to have some good photos. 

Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 ...there is the continual constraint of living everyday life to deal with. A kind of fury grows as a result because we are not really free. Then there comes a sort of slow boiling up inside so that finally we explode. Then, abruptly, there is that exasperation that at one moment translates itself into a need to be filled with wonder, a need for a kind of happiness of the eye and a need to look with intensity and with courage. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 The operating principle that seems to work best is to go to the landscape that frightens you the most and take pictures until you’re not scared anymore. (1982) 

Jerry Uelsmann
[Photographer, b. 1934, Detroit, Michigan, lives in Gainesville, Florida.]

 The courage to believe we don’t know what we think we know is the first stage of the discovery process. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 I’ve been so lonely trying to become a photographer. If I’d known that before, I don’t know if I’d have the courage to do it again. 

William J. T. Mitchell
[Writer, theorist, and architect, b. 1944, Melbourne, Australia, lives in Cambridge, Massachusetts.]

 ...the fear of the image, the anxiety that the “power of images” may finally destroy even their creators and manipulators, is as old as image-making itself. 

Lee Miller
[Photographer and model, b. 1907, Poughkeepsie, New York, d. 1976, Sussex, England.]

 [Being a great photojournalist is] a matter of getting out on a damn limb and sawing it off behind you. 

Martha Rosler
[Artist, b. 1943, Brooklyn, New York, lives in New York.]

 Documentary is a little like horror movies, putting a face on fear and transforming threat into fantasy, into imagery. One can handle imagery by leaving it behind. (It is them, not us.) 
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