Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 I’ve been so lonely trying to become a photographer. If I’d known that before, I don’t know if I’d have the courage to do it again. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 If I’d had the nerve, I’d have become a thief or a gangster, but since I didn’t, I became a photographer. 

Lee Miller
[Photographer and model, b. 1907, Poughkeepsie, New York, d. 1976, Sussex, England.]

 [Being a great photojournalist is] a matter of getting out on a damn limb and sawing it off behind you. 

Frieda Kahlo (Magdalena Carmen Frida Kahlo y Calderón)
[Artist, b. 1907, Mexico City, d. 1954, Mexico City.]

 When my father took my picture in 1932 after my accident, I knew that a battlefield of suffering was in my eyes. From then on, I started looking straight at the lens, unflinching, unsmiling, determined to show that I was a good fighter to the end. (On her father Guillermo Kahlo, 1871-1941, a photographer) 

Robert Capa (Endre Ernő Friedmann)
[Photographer, b. 1913, Budapest, Hungary, d. 1954, Thai Binh, Vietnam.]

 I had it bad. The empty camera trembled in my hands. It was a new kind of fear shaking my body from toe to hair, and twisting my face. (Remembrance of landing on Omaha Beach, D-Day.) 

Philip-Lorca diCorcia
[Artist, b. 1953, Hartford, Connecticut, lives in New York.]

 The deepest motivation for a lot of artists is obviously the one they all share: their great fear they are a fraud. It’s a joke. In my case the problem is not that I don’t question myself. It’s just that I question other people even more... 

Laurel Nakadate
[Video artist and photographer, b. 1975, Austin, Texas, lives in New York.]

 I believe photography is about choosing to live, being brave. Looking is an act of courage. It’s terrifying. It’s possible to see too much, to witness things that we cannot hold. 

Martha Rosler
[Artist, b. 1943, Brooklyn, New York, lives in New York.]

 Documentary is a little like horror movies, putting a face on fear and transforming threat into fantasy, into imagery. One can handle imagery by leaving it behind. (It is them, not us.) 
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