Mario Giacomelli
[Photographer, b. 1925, Senigallia, Italy, d. 2000, Senigallia.]

 I don’t know about other people’s cameras. Mine is a thing I had cobbled up, it holds together with tape and is always losing parts. All I need to set is the distance and that other thing—what do you call that other thing? 

John Gossage
[Photographer, b. 1946, Staten Island, New York, lives in Washington D.C..]

 Photography has always been a simple medium, compared to painting in oil or chipping at marble. 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 I brush aside words and ideas, and focus on photography as a means of expressing a message that is both psychological and phenomenological. Without that framework, my approach is very simple—there is no artistry. I just shoot freely. For example, most of my snapshots I take from a moving car, or while running, without the finder, and in those instances one might say that I’m taking the pictures more with my body than with my eyes. 

Paul Graham
[Photographer, b. 1956, Stafford, England, lives in New York.]

 [Photography is] so easy it’s ridiculous. It’s so easy that I can’t even begin—I just don’t know where to start. After all, it’s just looking at things. We all do that. It’s simply a way of recording what you see—point the camera at it, and press a button. How hard is that? 

Boris Mikhailov
[Photographer, b. 1938, Kharkov, Ukraine, lives in Kharkov and Berlin.]

 I was always against good technique because it didn’t work with Soviet life. Good quality equals foreign life. 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 For me, capturing what I feel with my body is more important than the technicalities of photography. If the image is shaking, it’s okay, if it’s out of focus, it’s okay. Clarity isn’t what photography is about. 

Bill Jay
[Photographer, writer, and curator, b. 1940, Maidenhead, England, d. 2009, Samara, Costa Rica.]

 Photoshop makes it easier to do all the things you didn’t need to do before Photoshop. 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 I attempt to channel my anger into the tip of my forefinger as I press the shutter. 
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