Minor White
[Photographer, writer, and theorist, b. 1908, Minneapolis, Minnesota, d. 1976, Cambridge, Massachusetts.]

 When I looked at things for what they are I was fool enough to persist in my folly and found that each photograph was a mirror of my Self. 
 One should photograph objects, not only for what they are but for what else they are. 
 When the photograph is the mirror of the man, and the man is the mirror of the world, then the Spirit might take over. 
 Let the subject generate its own photographs. Become a camera. 
 Photographers who come up with power never get accused of imitating anyone else even though they photograph the same broom, same street, same portraits. 
 To see through, not merely with, the eye, to perceive with the inner eye, and by an act of choice to capture the essence of that perception. This is the very core of the creative process. 
 There’s no particular class of photograph that I think is any better than any other class. I’m always and forever looking for the image that has spirit! I don’t give a damn how it got made. 
 Often while traveling with camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts. 
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