Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 Most of what I want simply slips away like water flowing through a net, and always what remains are only vague, elusive fragments of images… that sink into countless strata in my mind. 
 If an image is good, it is brought back to life by the feelings of the viewer. 
 If you were to ask me to define a photograph in a few words, I would say it is “a fossil of light and time.” 
 [My] photos are often out of focus, rough, streaky, warped, etc. But if you think about it, a normal human being will in one day perceive an infinite number of images, and some of them are focused upon, others are barely seen out of the corner of one’s eye. 
 I wanted to go to the end of photography. 
 A single photograph contains different images. 
 The crushing force of time is before my eyes, and I myself try to keep pressing the shutter release of the camera. 
 Until a few years ago, I was able to stave off an awareness that there is not an ounce of beauty in the world, and that humanity is a thing of extreme hideousness. So I could shoot and believe in something. (1972) 
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