Martine Franck
[Photographer, b. 1938, Antwerp, Belgium, d. 2012, Paris.]

 My grandfather killed himself falling off the dike in Ostend while photographing my two cousins. This can happen so easily when looking through a lens: for a split second nothing else exists outside the frame. 

Arnold Genthe
[Photographer, b. 1869, Berlin, Germany, d. 1942, New York.]

 The tremendous development of the camera in recent years has been remarkable. Now almost anyone can take pictures, and most of them are doing it. But it is rather like giving a 6-year-old a pistol. (1937) 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 I’m like an old junkie, in a way. You don’t stick syringes in your arm—you go straight for the most important part of your body, the brain. You are destroying it the moment you go to your first war. 

Sheila Metzner
[Photographer, b. 1939, Brooklyn, New York, lives in New York.]

 Photographers are often transformed by their own work. They should look at themselves every now and again to make sure they haven't become some kind of beast. 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 I felt I had seen so much horror that it was likely to destroy me…. Yet… I cannot do without the head-on collision with life I have when I am working. 

Martha Rosler
[Artist, b. 1943, Brooklyn, New York, lives in New York.]

 Documentary testifies, finally, to the bravery or (dare we name it?) the manipulativeness and savvy of the photographer, who entered a situation of physical danger, social restrictedness, human decay, or combinations of these and saved us the trouble. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 Images have become our true sex objects. It is this promiscuity and the ubiquity of images, this viral contamination of images which are the fatal characteristics of our culture. 

Bill McKibben
[Writer, b. 1960, Palo Alto, California, lives near Lake Chanokaub, New York.]

 ... the constant flow of images undercuts the sense that there’s actually something wrong with the world. How can there really be a shortage of whooping cranes when you’ve seen a thousand images of them—seen ten times more images than there are actually whooping cranes left in the wild? 
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