Douglas Crimp
[Writer, theorist and critic, b. 1944, Coeur d'Alene, Idaho, lives in Rochester, New York.]

 ...photography not only secures the admittance of various objects, fragments of objects, details of objects to the museum, it is also the organizing device: it reduces the now even vaster heterogeneity to a single perfect similitude. Through photographic reproduction a cameo takes up residence on the page next to painted tondo or a sculpted relief... 

George Eastman
[Inventor and industrialist, b. 1854, Waterville, New York, d. 1932, Rochester, New York.]

 Philologically, the word “Kodak” is as meaningless as a child’s first “goo.” Terse, abrupt to the point of rudeness, literally bitten off by firm and unyielding consonants at both ends, it snaps like a camera shutter in your face. What more would one ask. (Explaining why he named his company Kodak.) 

Charles Bukowski
[Writer, b. 1920, Andernach, Germany, d. 1994, San Pedro, California.]

 above me
feet walk upon my brain, monkeys fall from the sky
clutching photographs
of the planets,
but i seek only music
and the leisure
of my pain  

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 I like to work in that area where content almost overwhelms form. 

Janet Malcolm
[Writer, b. 1934, Prague, Czechoslovakia, lives in New York.]

 The house of American photography has many mansions, which, until a few years ago, were completely sealed off from one another. (1976) 

Alfred Stieglitz
[Photographer and curator, b. 1864, Hoboken, New Jersey, d. 1946, New York.]

 The great geniuses are those who have kept their childlike spirit and have added to it breadth of vision and experience. 

Berenice Abbott
[Photographer, writer, teacher, b. 1898, Springfield, Ohio, d. 1991, Monson, Maine.]

 Unless they do their share of growing up to their responsibilities the photographer can languish or take up knitting. 

Harry Callahan
[Photographer, b. 1912, Detroit, Michigan, d. 1999, Atlanta, Georgia.]

 Photography is filled with conflicts and choices. I can be just as serious about one picture as I am about another, but one works and the other doesn’t. Why? Ultimately I choose... that’s the important one... and give up on the other. 
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