Chris Burden
[Artist, b. 1946, Boston, Massachusetts, d. 2015, Los Angeles.]

 It’s about trying to frame something. And draw attention to it and say, “Here’s the beauty in this. I’m going to put a frame around it, and I think this is beautiful.” That’s what artists do. It’s really a pointing activity. 

Dziga Vertov
[Artist and filmmaker, b. 1896, Bialystok, d. 1954, Moscow.]

 I’m an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility... My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you. (1923) 

Joel Meyerowitz
[Photographer, b. 1938, New York, lives in New York.]

 It’s important when photographing to see different things simultaneously. Because there is so little time in the photographic moment, it must be expanded by consciousness to let in as much as can be contained. 

Umberto Eco
[Writer, semiotician, and philosopher, b. 1932, Alessandria, Piedmont, Italy, d. 2016, Milan.]

 If photography is to be likened to perception, this is not because the former is a “natural” process but because the latter is also coded. 

Lars Tunbjörk
[Photographer, b. 1956, Borås, Sweden, d. 2015, Stockholm.]

 When I photograph now, I try to imagine that I’d never seen a place like this before. 

Graciela Iturbide
[Photographer, b. 1942, Mexico City, lives in Coyoacán, Mexico.]

 Wherever we go we want to find the theme we carry inside ourselves. 

Wynn Bullock
[Photographer, b. 1902, Chicago, Illinois, d. 1975, Monterey, California.]

 Mysteries lie all around us, even in the most familiar things, waiting only to be perceived. 

Joseph Kosuth
[Artist and theorist, b. 1945, Toledo, Ohio, lives in New York and Rome.]

 Seeing is not as simple as looking. 
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