Harold Edgerton
[Scientist, inventor, and photographer, b. 1903, Fremont, Nebraska, d. 1990, Cambridge, Massachusetts.]

 In many ways, unexpected results are what have most inspired my photography. 

Gilles Peress
[Photographer, b. 1946, Neuilly, France, lives in New York.]

 I am bad at memory—this is why I shoot pictures. 

Bruce Davidson
[Photographer, b. 1933, Oak Park, Illinois, lives in New York.]

 I burn intensely, but with a slow flame, like an acetylene torch. What keeps you going is the passion that you have. 

Edward Weston
[Photographer, b. 1886, Highland Park, Illinois, d. 1958, Wildcat Hill, California.]

 By all means tell your Board that pubic hair has definitely been part of my development as an artist, tell them it has been the most important part, that I like it black, brown, red or golden, curly or straight, all sizes and shapes. (To Museum of Modern Art curator Beaumont Newhall, after being told the museum was reluctant to show nudes revealing pubic hair.) 

Chuck Close
[Artist, b. 1940, Monroe, Washington, lives in New York.]

 I always say that inspiration is for amateurs; the rest of us just show up and get to work. 

Ray Metzker
[Photographer, b. 1931, Milwaukee, Wisconsin, d. 2014, Philadelphia.]

 I don’t need exotic places to be stimulated. Out of familiarity comes nuance. The more you revisit a subject the more you’re like to discover. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 I photograph to see what things look like photographed. 

Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 The work all comes from a psychological need. See the images that I make… It’s really a psychological need. I’m just jerked around by it. I’m pulled by it. 
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