Michelangelo Antonioni
[Filmmaker, b. 1912, Ferrara, Italy, d. 2007, Rome.]

 We know that under the revealed image there is another one which is more faithful to reality, and under this one is yet another, and again another under this last one, down to the true image of that absolute, mysterious reality that nobody will ever see. Or perhaps, not until the decomposition of every image, of every reality. 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 The surrealism of my pictures was nothing but the real made eerie by vision. I was trying to express reality, for there is nothing more surrealist. 

Salvador Dali (Salvador Felipe Jacinto Dalí Domènech, Marquis of Pubol)
[Artist, b. 1904, Figueres, Catalonia, Spain, d. 1989, Figueres, Spain.]

 Nothing proves the truth of surrealism so much as photography. The Zeiss lens has unexpected faculties of surprise! 

Alfred Stieglitz
[Photographer and curator, b. 1864, Hoboken, New Jersey, d. 1946, New York.]

 In photography there is a reality so subtle that it becomes more real than reality. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Surrealism lies at the heart of the photographic enterprise: in the very creation of a reality in the second degree, narrower but more dramatic than the one perceived by natural vision. 
 Photographers, operating within the terms of the Surrealist sensibility, suggest the vanity of even trying to understand the world and instead propose that we collect it. 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 Surreality lies within ourselves, in objects that have become banal because we no longer see them, in the normality of the normal. 

André Breton
[Artist, writer, editor, and critic, b. 1896, Tinchebray, France, d. 1966, Paris, France.]

 Radios? Fine. Syphilis? If you like. Photography? I don’t see any reason why not. (Manifesto of Surrealism, 1924) 
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