David Wojnarowicz
[Artist and activist, b. 1954, Redbank, New Jersey, d. 1990, New York.]

 No one can really explain in a rational way what makes a good photograph or a bad photograph... This is why the art world will not throw billions of dollars at photography the way it has at painting; and that is what makes it an exciting medium. 

Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 It’s superficial, easy to sell, une image pute, a prostituted picture. (On his image Le Baiser de le Hotel de Ville—“The Kiss in Front of City Hall.”) 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Part of the difficulty in trying to be both an artist and a businessperson is this: You make a picture because you have seen something beyond price; then you are to turn and assign to your record of it a cash value. If the selling is not necessarily a contradiction of the truth in the picture, it is so close to being a contradiction—and the truth is always in shades of gray—that you are worn down by the threat. 

Larry Fink
[Photographer, b. 1941, Brooklyn, New York, lives in Martins Creek, Pennsylvania.]

 I’ve made a lot of fucking good pictures since I started. (Declining a request to select a few photographs that “epitomize his work.”) 

Elliott Erwitt
[Photographer, b. 1928, Paris, France, lives in New York.]

 If you’ve got no responsibility and don’t have to generate a certain amount of cash each month, and can live on a shoestring, and are ambitious enough, then you might have a chance. You can be dedicated but that is no guarantee that you’ll make it. I rely on a hunch, a little luck, and some cunning. 

Lord Snowdon (Antony Charles Robert Armstrong-Jones)
[Earl and photographer, b. 1930, London, England, d. 2017, London.]

 I’m very much against photographs being framed and treated with reverence and signed and sold as works of art. They aren’t. They should be seen in a magazine or a book and then be used to wrap up the fish and chucked away. 

Weegee (Usher Fellig)
[Photographer, b. 1899, Zlothew near Lemberg, Austrian Galicia (now Zolochiv, Ukraine), d. 1968, New York.]

 If I had a picture of two handcuffed criminals being booked, I would cut the picture in half and get five bucks for each. 

Rankin (John Rankin Waddell)
[Photographer, b. 1966, Glasgow, Scotland, lives in London.]

 At the end of the day, photography is ninety-nine percent business, connections, and politics and one percent creativity. 
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