Victor Burgin
[Artist and writer, b. 1941, Sheffield, England, lives in London.]

 The market is “behind” nothing; it is in everything. 

Jack Welpott
[Photographer, b. 1923, Kansas City, Missouri, d. 2007, Greenbrae, California.]

 I went through a long period when I thought my photographs were not visible—on the wall, but not visible. 

Athol Fugard
[Playright, b. 1932, Middelburg, South Africa, lives in San Diego, California and South Africa.]

 You call that work? Click-click with a camera. Are you mad? 

Brian Duffy
[Photographer, b. 1933, London, d. 2010, London.]

 Ninety-nine per cent of my work was advertising and crap. The people who were hiring me I didn’t like. Keeping a civil tongue up the rectum of a society that keeps you paid is an art which I was devoid of. I had nothing more to say in photographs. (1979, on why he quit photography) 

David Wojnarowicz
[Artist and activist, b. 1954, Redbank, New Jersey, d. 1990, New York.]

 No one can really explain in a rational way what makes a good photograph or a bad photograph... This is why the art world will not throw billions of dollars at photography the way it has at painting; and that is what makes it an exciting medium. 

David Douglas Duncan
[Photojournalist, b. 1916, Kansas City, Missouri, lives in Mougins, France.]

 It’s very simple... this banging around with a camera and typewriter as a “business” is just one helluva lot of fun. 

Geoffrey Batchen
[Photohistorian, b. 1956, Australia, lives in Wellington, New Zealand.]

 Remember that image of Truman holding up the premature issue of the Chicago Daily Tribune declaring his defeat by Dewey? It is in the Corbis catalogue. Remember Malcolm X pointing out over his crowd of listeners, the airship Hindenberg exploding in the New Jersey sky, that naked Vietnamese child running towards us after being burned by napalm, Churchill flashing his V-for-victory sign, Dorothea Lange’s Migrant Mother, Patty Hearst posing with her gun in front of the Symbionese Liberation Army banner, LBJ being sworn into office aboard Air Force One beside a blood-splattered Jackie? Corbis offers to lease us electronic versions of them all; it offers to sell us, in other words, the ability to reproduce our memories of our own culture, and therefore of ourselves. 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 There is always the danger of prostituting one’s gifts simply in order to live and to survive. The most difficult thing in life is to make money doing what you like to do. 
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