Richard Prince
[Artist, b. 1949, Panama Canal Zone, lives in New York.]

 Advertising images aren’t associated with an author. It’s as if their presence were complete—classical in fact. They are too good to be true. They look like they have no history to them—like they showed up all at once. They look like what art always wants to look like. 

Weegee (Usher Fellig)
[Photographer, b. 1899, Zlothew near Lemberg, Austrian Galicia (now Zolochiv, Ukraine), d. 1968, New York.]

 If I had a picture of two handcuffed criminals being booked, I would cut the picture in half and get five bucks for each. 

Bruce Davidson
[Photographer, b. 1933, Oak Park, Illinois, lives in New York.]

 In those days [1948], to be a photographer was actually to be a nonentity. My brother went to college, grad school, a PhD. I had this little camera. 

Bill Owens
[Photographer, b. 1938, San Jose, California, lives in Hayward, California.]

 I had no money. I couldn’t make a living. Then one day I found my Nikon under the seat of my car and I realized I wasn’t a photographer anymore. 

Robert Morris
[Artist and theorist, b. 1931, Kansas City, Missouri, lives in New York.]

 There is probably no defense against the malevolent powers of the photograph to convert every visible aspect of the world into a static, consumable image. 

Philippe Halsman
[Photographer, b. 1906, Riga, Latvia, d. 1979, New York.]

 I drifted into photography like one drifts into prostitution. First I did it to please myself, then I did it to please my friends, and eventually I did it for money. 

Danny Lyon
[Photographer, b. 1942, New York, lives in Ulster County, New York.]

 [The people who run things] are so successful in the way they do it now. They could buy me off with a couple of vintage prints, they could have you do an ad, or give you a ribbon... In capitalist countries they reward artists because we’re ineffectual. 

Andrew Savulich
[Photographer, b. 1949, Wilkes Barre, Pennsylvania, lives in New York.]

 The best way to make money with a camera is to sell it. 
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